4,775 Royalty-Free Audio Tracks for "In C"

This sound was created using the "surge" synthesizer. Bpm: 170key: c# majorcheck it out: https://presetshare. Com/preset/view?id=1553.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): displacement activitynote: c1midi note: 24midi velocity: 8.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): nervous energynote: c1midi note: 24midi velocity: 5.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): square filternote: c1midi note: 24midi velocity: 10.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: fender chroma polarispatch name (pack): sweet and full of gracenote: c4midi note: 60.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): big lemonnote: c#1midi note: 25.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): burned hairnote: c#2midi note: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): poly sadnote: c#2midi note: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: korg mono-polypatch name (pack): xmod odnote: c#2midi note: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): celts padnote: c#3midi note: 49.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): evil brain 140note: c#3midi note: 49.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland jupiter 4patch name (pack): saxons padnote: c#3midi note: 49.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): filter vel bassnote: c2midi note: 36midi velocity: 16.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: roland sh-2patch name (pack): rezzy saw velnote: c2midi note: 36midi velocity: 48.

Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200

Still from a phone conversation, but this one sounds like a dart hitting a dartboard. It is in c, although it is so short it really doesn't matter.

This kind of generates random values at a certain frequency. In this example, the frequency is 200hz. The algorithm for this noise was created two years ago by myself in c++, as an imitation of noise generators in supercollider 2.

Instrument::clarinetexercise::overall quality of single notenote::c4microphone::iphone5tuning reference::440.

Recorded in my home studio on my akg c-214 condenser microphone. This is the sound of me knocking over my water glass on a wooden table. It makes a nice clinking sound but doesn't break.

*Single note of just BP diatonic scale on C = F. Just: 7/5 = 582.51 cents. Limit: 7-limit.

This sound was created using "odin ii" synthesizerbpm 126key c minorcheck it out: https://presetshare. Com/preset/view?id=3287.

This sound was created using "serum" synthesizerkey: c# minorbpm: 124check it out: https://presetshare. Com/preset/view?id=4642.

*Single note of just BP diatonic scale on C = H. Just: 9/5 = 1017.60 cents. Limit: 5-limit.

You can use this music in your videos. This sound was created with layering and frequency processing in dawbpm: 120notes: f d c# e.

Simple recording of the f# string of an 8-string electric guitar. Captured with an rme babyface and cubase 10. 5.

Classic moog bass. Middle c octave, each note recorded separately.

A synth melody i made for a song of mine. In the key of c minor. Made in fl studio 12 using: "minisynth", "gross beat" and "dub delay - tal".

A z e r t y u i o p q s d f g h j k l m w x c v b n.

Waiting for a departure at the gate c4 of riga's international airport. Made with roland r-26's xy mics.

Thirteenth chord C13(b9). Created by Hyacinth (talk) 19:39, 4 July 2009 using Sibelius 5.

Single note from my realistic mg-1. The note is c. Warbly/slow subtle vibrato on a muted saw. Feel free to use in anything.

Thirteenth chord C13(sharp11). Created by Hyacinth (talk) 19:37, 4 July 2009 using Sibelius 5.

Thirteenth chord based on minor triad. Created by Hyacinth (talk) 13:43, 7 July 2009 using Sibelius 5.

The A440 (A above middle C) tone, which is used as a general tuning standard for musical pitch. It is also broadcast by WWV, the radio station of the National Institute of Standards and Technology.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): pass the band (at)note: c2midi note: 36midi velocity: 32.

A pitch progression in note c orchestral strings to an octane higher. Most notably used by hans zimmer in the dark knight for the joker scenes.

Tondokument von Polyphon Lochplatte, ca. 1880 – "Stille Nacht, heilige Nacht"Polyphon Musicbox, c. 1880: "Silent Night"

Traditional Greek song. Performer: Athanasia Atraidou. Orthophonic record n° S-737 [1]

Piano Sonata No. 10, 3rd movement, allegretto.

Thirteenth chord CMA7(add13). Created by Hyacinth (talk) 18:55, 4 July 2009 using Sibelius 5.

Used torn up paper to make it sound like someone is walking through leaves. A zoom h2n handy recorder was used to capture the sound and basic editing was performed in garageband. (breanna c. ).

Thirteenth chord CMI7(add13). Created by Hyacinth (talk) 18:56, 4 July 2009 using Sibelius 5.

Johann Sebastian Bach (21 de marzo de 1685 - 28 de julio de 1750)

A metal like breakdown, recorded with audacity, a jackson dinky tuned in drop c, and a line 6 pod ux1. 44100, 32bit float.

Me playing on tanpura (an indian instrument), sometimes also called a tambura. It's tuned to c (either major or minor as it's first and fifth). Actually meant this to be a different file. I'll add that as well.

I generated four square tones with increasing silence in between with audacity. The tones are the c major scale. It is very useful in old video games when you win or do something good.

This is my sequencing of the public domain piece Impromptu in C# minor, Opus 28 no. 3, by Hugo Reinhold, composed in the nineteenth century. It is identical to the version on Classical Music Archives, which means they determined there was no copyright problem.

I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.